Roberto (the character made by Ricardo Darin) is convinced that the world is inexplicable chaos and obeys no logic.
built to defend a small world particularly rational, safe and predictable, and has been locked in it, after security bars that offer their local hardware store.
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Those "incredible" that can give support his theory of irrationality to justify their foreign and premature closure are cut and pasted into a personal album.
In the courtyard, as if tuck away under the carpet, has been depositing those old junk, obviously, be construed as a metaphor for what has been denied and repressed. What he has denied and repressed?
A box should contain two hundred and two hundred nails nails. However, Roberto has found nails and one hundred eighty-four or one hundred eighty-six. It is not logical.
No, not logical. Is the need of the fantastic that Roberto has repressed and returns to reclaim its place covertly. The need we have-and have the ability to listen, a "tall tale."
What a disappointment if the box actually contains two hundred nails!
What the man, in a general level, has declined from an extreme rationalism and the Roberto character represent?
Whatever the reason can not explain. Take the name you want to give: Fantasy, Metaphysics, God, spirituality, etc..
The problem for Roberto, and the man is that he denied, at some point, with an undesirable form, violently come to claim their place in the constitution of self.
... And from "the other side of the world" in the safe life of Robert, see the "monster" Chinese who come to disrupt all the papers, to sabotage the perfect plan.
is not logical to have a Chinese at home!
Finally, the acceptance of the repressed will clean trash the "courtyard" and bring it to the street, will tear down the shelves where objects are kept dead and from this, give rise to life. A true life. A life that contains also fantastic. A full life.
Roberto, released, will find life.
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